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Banteay Srei or Banteay Srey (Khmer: ប្រាសាទបន្ទាយស្រី) is a 10th century Cambodian temple dedicated to the Hindu god Shiva. Located in the area of Angkor in Cambodia. It lies near the hill of Phnom Dei, 25 km (16 mi) north-east of the main group of temples that once belonged to the medieval capitals of Yasodharapura and Angkor Thom.[1] Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. The buildings themselves are miniature in scale, unusually so when measured by the standards of Angkorian construction. These factors have made the temple extremely popular with tourists, and have led to its being widely praised as a "precious gem", or the "jewel of Khmer art.
Consecrated on the 22nd of April, 967 A.D.[4], Bantãy SrÄ•i was the only major temple at Angkor not built by a monarch; its construction is credited to a courtier named Yajnavaraha / YajñavarÄha (modern Khmer: យជ្ញវរាហៈ), who served as a counsellor to king RÄjendravarman II (modern Khmer: ព្រះបាទរាជáŸáž“្រ្ទវរ្មáŸáž“).The foundational stela says that YajñavarÄha, grandson of king Hará¹£avarman I was a scholar and philanthropist who helped those who suffered from illness, injustice, or poverty.[5] His pupil was the future king Jayavarman V (r. 968- ca. 1001) Originally, the temple was surrounded by a town called Īśvarapura.
YajñavarÄha's temple was primarily dedicated to the Hindu god Åšiva. Originally, it was carried the name TribhuvanamaheÅ›vara — great lord of the threefold world — in reference to the Shaivite liá¹…ga that served as its central religious image.[6] However, the temple buildings appear to be divided along the central east-west axis between those buildings located south of the axis, which are devoted to Åšiva, and those north of the axis, which are devoted to Viṣṇu.
The temple's modern name, Bantãy SrÄ•i — citadel of the women, or citadel of beauty — is probably related to the intricacy of the bas relief carvings found on the walls and the tiny dimensions of the buildings themselves.[6] Some have speculated that it relates to the many devatas carved into the walls of the buildings